By

Chris Friend
Can a spider web every get too big for its creator?
The oft-repeated refrain, “I’ll need to reflect more on this,” illustrated an impressive and unexpected characteristic of our Massive Open Online Course: the course moved very quickly. There hasn’t been enough time to digest everything we’ve done and discussed. We who participated were given only seven days to work with/on/through the nature and implications of...
a child holds a notecard in front of her face; the notecard reads “I’m smart” in black marker. “Smart” was written once, scratched out, written again.
How much can we allow students to take control of things that ultimately go in our grade book? How much can we abdicate the responsibility for evaluation?
Sliced veggies on a cutting board. What shall we cook up?
In a discussion prompt for the course, Jesse Stommel related creative, participation-driven learning with the time-limited, arbitrary challenges of reality cooking shows. According to Stommel, the shows are a microcosm of what effective assignments and assessment could be if we relaxed the institutionalization of education. He makes excellent points, most relating to the authenticity of...
elevator descending into a green abyss
How can a course loaded with threshold concepts succeed? How can we help students adopt the new ways of thinking without overwhelming them?
How many times do you need to sharpen a pencil before you get the perfect point?
Math and English classes manifest the process/product dichotomy. What is more important: the thinking students do or the work they create?
Where do portfolios fit in the composition curriculum? On supporting planks, or in the space between where life can flourish?
Composition students should create digital portfolios using digital features (hyperlinking, embedding) of familiar tools (word processors).
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